A representation of the Transfiguration of Christ, part of the series of murals depicting the life of Prophet Moses in the monastery of Saint Katherine on Mount Sinai. A portable mural with casein paints, based on the famous Sinai mosaic of the Transfiguration.
The Transfiguration, Monastery of Saint Katherine, Sinai.
A representation of the Transfiguration of Christ, part of the series of murals depicting the life of Prophet Moses in the monastery of Saint Katherine on Mount Sinai. A portable mural with casein paints, based on the famous Sinai mosaic of the Transfiguration.
The Transfiguration, 2007, Monastery of Saint Katherine, Sinai.
A representation of the Transfiguration of Christ, part of the series of murals depicting the life of Prophet Moses in the monastery of Saint Katherine on Mount Sinai. A portable mural with casein paints, based on the famous Sinai mosaic of the Transfiguration.
Scenes from the life of Prophet Moses (the Ten Commandments and the golden calf) in a series of portable murals placed inside the hall with Moses’ well within the compound of Saint Katherine’s monastery on Mount Sinai. The murals were painted with casein colors in 2007.
Scenes from the life of Prophet Moses, Monastery of Saint Katherine, Sinai.
Scenes from the life of Prophet Moses (the Ten Commandments and the golden calf) in a series of portable murals placed inside the hall with Moses’ well within the compound of Saint Katherine’s monastery on Mount Sinai. The murals were painted with casein colors in 2007.
Scenes from the life of Prophet Moses, 2007, Monastery of Saint Katherine, Sinai.
Scenes from the life of Prophet Moses (the Ten Commandments and the golden calf) in a series of portable murals placed inside the hall with Moses’ well within the compound of Saint Katherine’s monastery on Mount Sinai. The murals were painted with casein colors in 2007.
Scenes from the life of Prophet Moses (Moses the Shepherd and the Burning Bush) in a series of portable murals placed inside the hall with Moses’ well within the compound of Saint Katherine’s monastery on Mount Sinai. The murals were painted with casein colors in 2007.
Scenes from the life of Prophet Moses, Monastery of Saint Katherine, Sinai.
Scenes from the life of Prophet Moses (Moses the Shepherd and the Burning Bush) in a series of portable murals placed inside the hall with Moses’ well within the compound of Saint Katherine’s monastery on Mount Sinai. The murals were painted with casein colors in 2007.
Scenes from the life of Prophet Moses, 2007, Monastery of Saint Katherine, Sinai. Scenes from the life of Prophet Moses (Moses the Shepherd and the Burning Bush) in a series of portable murals placed inside the hall with Moses’ well within the compound of Saint Katherine’s monastery on Mount Sinai. The murals were painted with casein colors in 2007.
View of the altar murals, Virgin Mary Portaitissa convent
A general view of the mural decoration in the altar of the main church of the convent of Virgin Mary Portaitissa (Our Lady of the Gate) in the village of Kornofolia. The convent is a dependency of the monastery of the Athonite monastery of Iveron. One can see saints depicted in a row and the Entry of the Ark into Jerusalem.
View of the altar murals, Virgin Mary Portaitissa convent.
A general view of the mural decoration in the altar of the main church of the convent of Virgin Mary Portaitissa (Our Lady of the Gate) in the village of Kornofolia. The convent is a dependency of the monastery of the Athonite monastery of Iveron. One can see saints depicted in a row and the Entry of the Ark into Jerusalem.
View of the altar murals, Virgin Mary Portaitissa convent. A general view of the mural decoration in the altar of the main church of the convent of Virgin Mary Portaitissa (Our Lady of the Gate) in the village of Kornofolia. The convent is a dependency of the monastery of the Athonite monastery of Iveron. One can see saints depicted in a row and the Entry of the Ark into Jerusalem.
Scenes from the Life of the Virgin Mary, Virgin Mary Portaitissa convent
The Visitation by Mary to Saint Elizabeth and the journey towards Bethlehem. Two scenes from the life of Virgin Mary depicted in a series of murals on the northern aisle of the Virgin Mary Portaitissa (Lady of the Gate) convent main church.
Scenes from the Life of the Virgin Mary, Virgin Mary Portaitissa convent.
The Visitation by Mary to Saint Elizabeth and the journey towards Bethlehem. Two scenes from the life of Virgin Mary depicted in a series of murals on the northern aisle of the Virgin Mary Portaitissa (Lady of the Gate) convent main church.
Scenes from the Life of the Virigin Mary, Virgin Mary Portaitissa convent. The Visitation by Mary to Saint Elizabeth and the journey towards Bethlehem. Two scenes from the life of Virgin Mary depicted in a series of murals on the northern aisle of the Virgin Mary Portaitissa (Lady of the Gate) convent main church.
Miracles by Jesus Christ, Virgin Mary Portaitissa convent
Healing of the possessed and the healing of the bleeding woman. Two scenes with miracles of Christ depicted on murals on the southern aisle of the Virgin Mary Portaitissa (Lady of the Gate) convent main church.
Miracles by Jesus Christ, Virgin Mary Portaitissa convent.
Healing of the possessed and the healing of the bleeding woman. Two scenes with miracles of Christ depicted on murals on the southern aisle of the Virgin Mary Portaitissa (Lady of the Gate) convent main church.
Miracles by Jesus Christ, Virgin Mary Portaitissa convent. Healing of the possessed and the healing of the bleeding woman. Two scenes with miracles of Christ depicted on murals on the southern aisle of the Virgin Mary Portaitissa (Lady of the Gate) convent main church.
Mural on the northern altar wall of the church, depicting Prophet Jonah miraculously saved by being swallowed by a large fish in whose belly he spend three days. The incident prefigures Christ’s resurrection.
Mural on the northern altar wall of the church, depicting Prophet Jonah miraculously saved by being swallowed by a large fish in whose belly he spend three days. The incident prefigures Christ’s resurrection.
Prophet Jonah, Virgin Mary Portaitissa convent. Mural on the northern altar wall of the church, depicting Prophet Jonah miraculously saved by being swallowed by a large fish in whose belly he spend three days. The incident prefigures Christ’s resurrection.
Virgin Mary with Christ, flanked by two Angels. Virgin Mary Portaitissa convent
Mural showing Virgin Mary with the baby Christ flanked by two Angels, painted on the narthex wall of the Virgin Mary Portaitissa (Lady of the Gate) convent main church.
Virgin Mary with Christ, flanked by two Angels, Virgin Mary Portaitissa convent.
Mural showing Virgin Mary with the baby Christ flanked by two Angels, painted on the narthex wall of the Virgin Mary Portaitissa (Lady of the Gate) convent main church.
Virgin Mary with Christ, flanked by two Angels, Virgin Mary Portaitissa convent. Mural showing Virgin Mary with the baby Christ flanked by two Angels, painted on the narthex wall of the Virgin Mary Portaitissa (Lady of the Gate) convent main church.
Christ Pantokrator. Virgin Mary Portaitissa convent
Mural of Christ the Pantokrator (The All mighty Christ in majesty), painted on the roof of the central aisle of the Virgin Mary Portaitissa (Lady of the Gate) convent main church.
Christ Pantokrator, Virgin Mary Portaitissa convent.
Mural of Christ the Pantokrator (The All mighty Christ in majesty), painted on the roof of the central aisle of the Virgin Mary Portaitissa (Lady of the Gate) convent main church.
Christ Pantokrator, Virgin Mary Portaitissa convent. Mural of Christ the Pantokrator (The All mighty Christ in majesty), painted on the roof of the central aisle of the Virgin Mary Portaitissa (Lady of the Gate) convent main church.
The story of the Portaitissa Icon. Virgin Mary Portaitissa convent
The story of the icon of Virgin Mary Portaitissa has been painted on a mural on the parapet of the balcony at the western part of the main church of the Virgin Mary convent in Kornofolia...
The story of the Portaitissa Icon, Virgin Mary Portaitissa convent.
The story of the icon of Virgin Mary Portaitissa has been painted on a mural on the parapet of the balcony at the western part of the main church of the Virgin Mary convent in Kornofolia...
The story of the Portaitissa Icon, Virgin Mary Portaitissa convent. The story of the icon of Virgin Mary Portaitissa has been painted on a mural on the parapet of the balcony at the western part of the main church of the Virgin Mary convent in Kornofolia...
The story of the Portaitissa Icon. Virgin Mary Portaitissa convent
The story describes the miraculous journey of the icon through the sea and the arrival at the Iveron monastery on Mount Athos to become the guardian of the monastery (Our lady of the Gate).
The story of the Portaitissa Icon, Virgin Mary Portaitissa convent.
The story describes the miraculous journey of the icon through the sea and the arrival at the Iveron monastery on Mount Athos to become the guardian of the monastery (Our lady of the Gate).
The story of the Portaitissa Icon, Virgin Mary Portaitissa convent. The story describes the miraculous journey of the icon through the sea and the arrival at the Iveron monastery on Mount Athos to become the guardian of the monastery (Our lady of the Gate).
The Ascension, Virgin Mary Portaitissa convent. Mural of the Ascension of Christ, painted on the main vault on the main church altar ceiling at the Virgin Mary convent in Kornofolia in Evros.
The Evangelist Luke. Virgin Mary Portaitissa convent
Mural depicting Saint Luke the Evangelist painted on the ceiling of the central vault of the main church of the Virgin Mary convent in Kornofolia in Evros. It is a part of the central representation of Christ Pantokrator with the rest of the four evangelists. Luke is portrayed as a painter with the materials and tools of his profession.
The Evangelist Luke, Virgin Mary Portaitissa convent.
Mural depicting Saint Luke the Evangelist painted on the ceiling of the central vault of the main church of the Virgin Mary convent in Kornofolia in Evros. It is a part of the central representation of Christ Pantokrator with the rest of the four evangelists. Luke is portrayed as a painter with the materials and tools of his profession.
The Evangelist Luke, Virgin Mary Portaitissa convent. Mural depicting Saint Luke the Evangelist painted on the ceiling of the central vault of the main church of the Virgin Mary convent in Kornofolia in Evros. It is a part of the central representation of Christ Pantokrator with the rest of the four evangelists. Luke is portrayed as a painter with the materials and tools of his profession.
The Evangelist Mark. Virgin Mary Portaitissa convent
Mural depicting Saint Mark the Evangelist painted on the ceiling of the central vault of the main church of the Virgin Mary convent in Kornofolia in Evros. It is a part of the central representation of Christ Pantokrator with the rest of the four evangelists.
The Evangelist Mark, Virgin Mary Portaitissa convent.
Mural depicting Saint Mark the Evangelist painted on the ceiling of the central vault of the main church of the Virgin Mary convent in Kornofolia in Evros. It is a part of the central representation of Christ Pantokrator with the rest of the four evangelists.
The Evangelist Mark, Virgin Mary Portaitissa convent. Mural depicting Saint Mark the Evangelist painted on the ceiling of the central vault of the main church of the Virgin Mary convent in Kornofolia in Evros. It is a part of the central representation of Christ Pantokrator with the rest of the four evangelists.
Abraham and the sacrifice of Isaac. Virgin Mary Portaitissa convent
A mural showing Isaac’s sacrifice by Abraham. Painted on the southern altar wall of the main church of the convent of Virgin Mary Portaitissa at Kornofolia in Evros.
Abraham and the Sacrifice of Isaac, Virgin Mary Portaitissa convent.
A mural showing Isaac’s sacrifice by Abraham. Painted on the southern altar wall of the main church of the convent of Virgin Mary Portaitissa at Kornofolia in Evros.
Abraham and the sacrifice of Isaac, Virgin Mary Portaitissa convent. A mural showing Isaac’s sacrifice by Abraham. Painted on the southern altar wall of the main church of the convent of Virgin Mary Portaitissa at Kornofolia in Evros.
Scenes from the life of Saint Nicholas as a protector of sailors. Mural in a private chapel on the island of Mykonos, painted during 2015 with silicate paints on the western wall of the church.
Scenes from the life of Saint Nicholas as a protector of sailors. Mural in a private chapel on the island of Mykonos, painted during 2015 with silicate paints on the western wall of the church.
Saint Nicholas, 2015, Private chapel. Scenes from the life of Saint Nicholas as a protector of sailors. Mural in a private chapel on the island of Mykonos, painted during 2015 with silicate paints on the western wall of the church.
Saint Tryphon. 1996, Fresco, Simonos Petra Monastery.
Mural of Saint Tryphon, protector of agriculture. The lower part of the image depicts the story of Saint Ioasaf, the son of a Serbian monarch who became a monk in Simonos Petra working as a gardener. The mural is in a true fresco technique and is situated in the garden shrine of Simonos Petra monastery.
Saint Tryphon, 1996, Fresco, Simonos Petra Monastery.
Mural of Saint Tryphon, protector of agriculture. The lower part of the image depicts the story of Saint Ioasaf, the son of a Serbian monarch who became a monk in Simonos Petra working as a gardener. The mural is in a true fresco technique and is situated in the garden shrine of Simonos Petra monastery.
Saint Tryphon, 1996, Fresco, Simonos Petra Monastery. Mural of Saint Tryphon, protector of agriculture. The lower part of the image depicts the story of Saint Ioasaf, the son of a Serbian monarch who became a monk in Simonos Petra working as a gardener. The mural is in a true fresco technique and is situated in the garden shrine of Simonos Petra monastery.
Scene from the life of Saint Simon, 2000, book illustration.
Part of the illustrated life of Saint Simon founder of Simonos Petra monastery. The book has thirteen colored illustrations painted with acrylic colors on paper. The book was published by the monastery in year 2000. The particular image illustrates the efforts by the Saint to gather finance and workers in order to build the monastery.
Scene from the life of Saint Simon, 2000, book illustration.
Part of the illustrated life of Saint Simon founder of Simonos Petra monastery. The book has thirteen colored illustrations painted with acrylic colors on paper. The book was published by the monastery in year 2000. The particular image illustrates the efforts by the Saint to gather finance and workers in order to build the monastery.
Scene from the life of Saint Simon, 2000, book illustration. Part of the illustrated life of Saint Simon founder of Simonos Petra monastery. The book has thirteen colored illustrations painted with acrylic colors on paper. The book was published by the monastery in year 2000. The particular image illustrates the efforts by the Saint to gather finance and workers in order to build the monastery.
Illustrations for the edition of Synaxaristis, 2001.
The new Synaxaristis of the Orthodox Church (Lives of saints and feasts of the church) was published by Indiktos in twelve volumes. The illustration was shared between P.Ieremiadis and Markos Kampanis. The particular images here show Saint Maximus the Greek and saint peter the Athonite. All illustrations by Markos Kampanis were done as two color scratch drawings on carton.
Illustrations for the edition of Synaxaristis, 2001.
The new Synaxaristis of the Orthodox Church (Lives of saints and feasts of the church) was published by Indiktos in twelve volumes. The illustration was shared between P.Ieremiadis and Markos Kampanis. The particular images here show Saint Maximus the Greek and saint peter the Athonite. All illustrations by Markos Kampanis were done as two color scratch drawings on carton.
Illustrations for the edition of Synaxaristis, 2001. The new Synaxaristis of the Orthodox Church (Lives of saints and feasts of the church) was published by Indiktos in twelve volumes. The illustration was shared between P.Ieremiadis and Markos Kampanis. The particular images here show Saint Maximus the Greek and saint peter the Athonite. All illustrations by Markos Kampanis were done as two color scratch drawings on carton.
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